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Eichner credited Zarrillo - an out gay man from New Jersey, whose husband, Paul Katami, was in the audience - with being one of the challengers who followed Prop 8 all the way to the Supreme Court. Jeff Zarrillo, general manager at AMC Burbank 16, joined Eichner in debuting the trailer. He then said, “Representation matters.” There were other earnest moments, too. You don’t think a gay man can play straight but you believe in Chewbacca?” In reference to seeing gay actors playing straight, Eichner explained it like this: “Look at all the things moviegoers believe - Star Wars, Spider-Man and Transformers. He later called Bros “the hottest thing to hit Vegas” since Lady Gaga had sex with Tony Bennett on the same Caesars stage. “Usually when I come to Vegas, I come to see gay icons perform, like Cher, Britney Spears and the Bellagio fountain. “This is the most exciting thing to happen in Caesars Palace since Adele refunds,” he quipped. He kicked off his comments with a flood of jokes. Prior to the reveal, Eichner got plenty of laughs during his brief time on stage. Bros rolled out as part of Universal’s packed presentation that featured it with a slew of trailer drops and talent appearances during the annual convention hosted by the National Association of Theatre Owners. In another, Eichner’s bare butt is shown.
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“You’re both bottoms, that’s the problem,” Diaz’s character says in one scene. The clip also did not shy away from reflecting the story it tells by showing circuit parties, family moments, gym workouts, business meetings and even a four-man orgy. The trailer revealed that the film has meta moments in that Eichner’s character, Bobby Lieber, shares that he was asked by a studio to write an LGBTQ-focused screenplay as he details those conversations (some of which are shown).
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Rather, consider this a primer that helps illustrate the relationship between queer culture and the silver screen.CinemaCon: Universal Unwraps First Look at Harvey Weinstein Movie 'She Said'
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It is nowhere near a comprehensive rundown of every great movie to feature out-and-proud heroes and villains, or a queer sensibility, or even just visible (and/or risible) examples of gay life in cinema we could have easily made this list twice as long. In honor of LGBTQ Pride Month, we’re singling out 50 essential LGBTQ films - from comedies to dramas, documentaries to cult classics, underground experimental work to studio blockbusters. Some have been documents of a moment or era of gay history, some have been used as correctives to decades of negative clichés, and others have simply celebrated the fact that the movies can be queer, they’re here, get used to it. But since those two men first danced, there have also been scores of stories, characters, and filmmakers that have presented the varied, multitudinous aspects of LGBTQ experiences 24 frames per second that have gone past those stereotypes, or flipped them on their heads.
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That clip appears in The Celluloid Closet, Rob Epstein and Jeffrey Friedman’s documentary based on Vito Russo’s study of homosexuality in the movies, along with countless examples of how gay characters showed up, per narrator Lily Tomlin, as “something to laugh at, or something to pity, or even something to fear.” The history of representation is long, and extremely storied, often shaping how the public viewed “the love that dare not speak its name” for better or worse. It’s considered by many to be one of the first examples of gay imagery in film, and a reminder that homosexual representation has been with the medium from the very beginning. While there’s nothing to outright suggest that these men were romantically involved or attracted to each other during the roughly 20-second length of their pas de deux, there is nothing that contradicts that notion either. It’s known as “The Dickson Experimental Sound Film,” and dates back to 1895, the same year movies were born. It was an experimental short made by William Dickson, designed to test syncing up moving pictures to prerecorded sound, a system that he and Thomas Edison were developing known as the Kinetophone. But this brief footage is not so ancient that you can’t clearly make out two men, waltzing together, as a third man plays a violin in the background. It’s grainy, faded, and, given the clip is now 125 years old, more than a little worse for wear.